Dildar does not play the traditional tabla, which is most commonly associated with Hindustani classical music. His non-traditional tabla configuration has the jori as the treble and the dhamma as the bass. Although rare, they are used primarily in North and West Pakistan, Bangladesh, and Kashmir. This combination creates a sound that is far deeper and warmer than the traditional bayan.
This project was coordinated and produced by Aja Salvatore, who is primarily known for his work with the top musicians of Mali on his label, Kanaga System Krush. Dedicated to showcasing the finest musical talent from all over the world, Aja operates KSK Records under fair trade principals. This means that, as opposed to traditional labels, a large portion (40%) of sales go directly to the artist. To learn more about KSK Records, visit their website here: http://www.systemkrush.com/.
World-class talent needs a world-class engineer. Oz Fritz (Primus, Buckethead, Tom Waits just to name a few) fit the bill for this project. With such a star-studded roster, expect great things to come.
hi ajjah this is abrar hussain
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