Kanaga System Krush and Chris Berry

Prairie Sun recently hosted a mix for Grammy winning world music artist Chris Berry. Our favorite fair trade music label Kanaga System Krush brought the project to be mixed by engineer Oz Fritz. The story behind Chris Berry's music is unique and provides a compelling backdrop for the listener.

Chris Berry was born in California and moved to Africa at age 19 with his musical mentor Titos Sampa. Chris became immersed in Zimbabwean culture and music for over a decade studying mbira (thumb piano) and the ngoma drum. Berry has been open about his mission to be a healer and a bridge maker through music. Chris has been one of the first western artists to be accepted in the South African culture as a true mbira master. The music you will find on the upcoming album follows his mission of being a "bridge maker through music" blending western music pop sensibility / production with traditional time tested South African instrumentation and musical inspiration.

Speaking with K.S.K founder Aja Salvatore about what the future of world music was eye opening. The future will not be just about importing indigenous music but will be more of the Chris Berry paradigm of fusion of culture and style. This will truely create world music in the sense it will bring the world together in a place that is usually not easly accessible through just one style of music. A quote from Michael Kang of the string cheese incident says it well.

“CHRIS BERRY PICKED UP WHERE PAUL SIMON LEFT OFF. CHRIS’ MUSIC GLIDES ACROSS ALL RACIAL AND ETHNIC LINES MAKING EVERYONE FEEL AT HOME WITHIN THE MUSIC. THE CONSCIOUS LYRICS ARE A ROAD MAP FOR HUMANITY AND CHRIS IS ONE OF THE FEW PEOPLE ABLE TO CARRY THIS MESSAGE TO A WIDE AUDIENCE.” - MICHAEL KANG FROM STRING CHEESE INCIDENT

The basic tracks were recorded at the K.S.K recording studio with a film crew in tow. Be sure to keep an eye out for in the studio videos we guarantee there will be sights and sounds that you will want to see. Keep in touch for more on Chris Berry and Kanaga System Krush.

Guitars, basses, drums, and amps line the walls of studio C as Rogue Wave searches for the perfect sounds for their new album being recorded at Prairie Sun studios. The band, fronted by Zach Rogue (vocals, guitar) along with Pat Spurgeon (drums, keys, vocals), have been working with Grammy engineer/producer John Congleton (Modest Mouse, Marilyn Manson, U2) for the past week tracking basics and overdubs. Besides a few guitar, key, and vocal overdubs, the majority of the album is being tracked live in the Prairie room in studio C. The band has taken an interest in the legendary acoustics of the Waits room, and have been tracking vocals in there, letting the sound of the room shine through with the vocals. From slide guitar to old Casio keyboards, the band experiments with anything and everything that can add depth to their sound. Rogue Wave has decided to track there basic tracks to 2' tape on the Studer A820. Everything has been running smooth and productivity has been soaring.

This is Rogue Wave's fifth full-length studio album, currently being funded independently. The band has been on multiple labels, including Brushfire Records (owned by Jack Johnson), and Sub Pop Records. Hailing from Oakland California and Rogue Wave got their start in 2002, the band is often labeled as indie rock, but is influenced by a wide variety of musical genres. As of today, the band has a week left to finish up their record. After it is completed, John and the band will head over to John's personal studio, Elmwood Recording in Dallas Texas to mix the album on his own Neve 53 series console. 

Gaby Velazquez

Stepping into the doors of studio C at Prairie Sun recording, one can hear the diverse music of Gaby Velazquez vibrating throughout the walls, amidst a warm summer day full of good music and great vibes. Joined by drummer Ian Herman (Mikey Hart, Tracorum), bassist Mark Calderon (Tracorum, Wycleff Jean), and engineer Matt Wright, the group has been finishing up on the basics of Gaby’s upcoming third album. Prairie Sun has played a vital role in all of Gaby’s releases, as his previous two albums were mixed by Oz Fritz and Matt Wright here in studio A. Drummer Ian, along with bassist Mark were also featured on Gaby’s previous albums, resulting in a tight sound marked with confidence and experience, along with the signature sound of Prairie Sun’s live room and vintage Neve console and gear.

Gaby, born in Puerto Rico, has lived in the bay area for six years, and has recently moved down to southern California where he was raised. His last album, Costume Ball, can be found on his website, gabyvmusic.com. He will return to Prairie Sun later this month to complete tracking his new album. 

The "Smile" Project

If Prairie Sun's studio B walls could talk they would tell a tale of a jazz project called "Smile" that took place this past week. Steve Puleo (vocals) has decided to honor to his mother Jean Puleo through songs that inspired him from his childhood. Jean Puleo was a successful jazz singer in New York who sang into her 70s. Our condolences go out to Steve for the loss of his mother the past year. To pay homage to her not only are they doing songs that she was familiar with but the band will be featuring a clip of her singing on one of the tracks. To bring three generations of family together through song Steve's daughter will also be singing.

   

The band is comprised of fantastic players. On drums is long time mentor of Steve's and a bay area legend James Levi who played with Herbie Hancock for many years. Composer Jerome Gilmer (piano) was instrumental in bringing this project to fruition.  Terry Miller (bass) was introduced to Steve through Jerome and really helped round out the ensemble.  Randy Vincent (guitar) completed the core of the group, Randy has played with Dizzy Gillespie and Steve Smith just to name a few. The musicianship and emotion of the players was something to behold. 

The group will be returning later this week for Sax overdubs with Rob Roth and some flugelhorn work by Fletch Wiley. The performances captured the classic vibe of Tony Bennett and Frank Sinatra and still maintained a humble down to earth atmosphere. The project is set to go out for duplication in mid November and there are talks of heading to Japan for a short tour. We will be sure to keep you posted on all the updates on the project simply titled "Smile"

Orbo & The Long Shots

This past year we had the pleasure of working with Orbo & The Longshots. Orbo and his crew traveled to Prairie Sun with grammy engineer/producer Erick Jaskowiak (Alison Krauss, Crooked Still) to track there 5th full length album. Last summer Orbo & The Longshots made the long trek from Norway to hold up in studio C for about two weeks . Over the course of there stay, the band had a camera crew in tow capturing all of the behind the scenes gold.  

The upcoming album is slated to be titled "Prairie Sun" we are honored to have such a fantastic album bare our namesake. While we anxiously await the release of the full length album the band has been kind enough to put out a small EP of bonus tracks before the full album is released. The EP of bonus tracks is aptly titled "Prairie Moon" here is a quote from Orbo about the itunes release. "It was burning hot so we decided to work mostly during the night. We cut these four tracks beneath a big, fat and yellow harvest moon." The Prairie Moon EP is only available as a digital purchase through itunes you can get your copy here.

Eric Gales With Dunlop TV

Released this Tuesday on Blues Bureau International, Transformation is the next logical step in Eric Gales’ prolific career, deeply centered in the blues but played with the edge and aggression of a young guitar hero. His masterful guitar and vocal performances on the record are sure to please loyal fans of blues/rock, as guitarists/singers of this quality and intensity are few and far between.

With Blues Bureau International’s legacy as a label that publishes superior blues rock recordings, Gales adds his name to a list of legends that includes Rick Derringer, Pat Travers, Chris Duarte, and Leslie West among others.

Gales took a break from recording at Prairie Sun Recording Studios this past May to chat with Dunlop TV about his influences and the Dunlop gear he uses. Check it out below.

                                           

Radio Moscow

It may not shock some of our regular readers, but we're going to confess it anyway - we love vintage gear at Prairie Sun! Mics, boards, guitars, amps, drums, you name it - there's no denying these old toys are fun. So anytime someone offers us the chance to put some of this tech to use in seeking out new takes on retro sounds, we're chomping at the bit. The new record from Radio Moscow offered Prairie Sun and engineer Jason D'Ottavio just such an opportunity - record analog, mix analog, master analog (the record was not digitized until mastering) and explore the sound of new/old rock under the direction of band founder Parker Griggs. Radio Moscow is now apart of the Alive Natural Sound record label. The new record will be the band's second self-produced release (Radio Moscow's debut self-titled was produced by Dan Auerbach of the Black Keys), and features Parker on guitars, drums, and vocals and Zach Anderson on bass (drummer Cory Berry rounds out the touring trio). Mastered by resident engineer Tim Gennert, the record is due for release in the near future - keep tabs at radiomoscow.net  

Radio Moscow's sound has evolved over the past few years into a raw, `60s-style, psychedelic-aggressive blues with a modern take on break-downs and tempo changes. We cannot speak highly enough about the artistic integrity of this band, from the recording process to there stunning instrument collection. Parker tracked the drums on a vintage Ludwig kit. Zach's bass rig was comprised of a monster vintage Ampeg, a Gibson Atlas and a short scale Electro style bass. 

The guitars and amps used were too many to list but included vintage Supro, Gibson, Alamo and other off-beat gems. Parker used a few different microphones for the vocals, at times running through a tape echo, often through a Leslie cabinet or an old Gibson reverb tank. Everything was recorded to our Studer 2" - 24 tracks at 15 ips via the BBC Neve in Studio C. The mix on the SSL in Studio A was printed to our 1/2" ATR with flux-dynamic heads running at 15 ips. The last stop on this period accurate project was the mastering. All of the mastering was done real time running through Sontec eqs and API and Shadow Hills mastering compressors. All crossfades and transitions between song where performed manually with a tape echo and distortion pedals. At the end of the mastering chain the project made it's one and only conversion to digital in the Seqouia mastering program, without the use of any digital plugins. There are plans to release the album on vinyl, paying respect to the audiophile who can hear all the vintage love!